Dreaming of Babel
Bethyl
For Fribourg, the museum did something different: each lithograph was placed in dialogue with an object or visual reference from its own collection.
The twelve-work selection was not presented as an isolated survey of Cities of Lost Memory. Instead, the museum created correspondences between Mitchell’s images and material from the ancient and medieval worlds.
The exhibition was organised by Véronique Dasen at the Musée BIBLE+ORIENT, University of Fribourg. Originally scheduled to close in September, it was extended through 25 December 2025.
The pairings did not try to prove that the modern drawings reproduced ancient objects. They created a second line of looking: from Mitchell’s composite images back toward artefacts in the museum, and from those artefacts forward again into modern memory.
Bethyl
Cylinder seal with Enkidu and Gilgamesh
Gold coin of Justinian II
Terracotta figure of Isis nursing Horus
The museum also established correspondences with Rising from the Temple’s Ashes, Respect the Gods, Superstition and The Vanished.
The exhibition opened with a short lecture by Alexandre Mitchell, Art as witness to the past: archaeology through the eye of the artist, introducing the project and the twelve-work selection.
Art as witness to the past: archaeology through the eye of the artist.
A closed group visit to the exhibition for children.
An all-welcome group tour of the exhibition.
Opening lecture in the museum series Sacré genre! Dialogues around sacredness and the feminine.
Further all-welcome group tours of the exhibition.
The complete Fribourg selection, reconstructed from the exhibition documentation.
University of Fribourg · Ruelle Laure-Dupraz 1 · CH-1700 Fribourg · Switzerland